Alan Freed: The Father of Rock & Roll
Alan Freed (December 15, 1921 – January 20, 1965), also known as Moondog, was an American disc-jockey (DJ) who became internationally known for promoting African-American Rhythm and Blues (R&B) music on the radio in the United States and Europe under the name of Rock and Roll. Many of the top African American
performers of the first generation of rock and roll (such as Little Richard and Chuck Berry) salute Alan Freed for his pioneering attitude in breaking down racial barriers among the youth of 1950s America. His career was destroyed by the payola scandal
that hit the broadcasting industry in the early 1960s.
"Father of Rock and Roll"
While Alan Freed called himself the "father of rock and roll", he was not the first to
play it on the airwaves, but is credited for coining and popularizing the term "Rock
and Roll" to describe a style of music, while working for WAKR in Akron. He was a
promoter and he was very successful at what he did, until his own personal failings
became exploited by others. They built their own careers upon the legacy created by
Freed, while Freed's personal career was obliterated.
Pioneer of racial harmony
Many of the top African American performers of the 1950s have given public credit
to Alan Freed for pioneering racial integration among the youth of America at a time
when the adults were still promoting racial strife. Little Richard has appeared in
several programs about that era, to give the credit to Alan Freed that others have
denied him. An example of Freed's non-racist attitude is preserved in motion pictures
in which he personally played a part as himself with many of the leading African-
American acts of that day. His influence and the music that he promoted crossed
artificial racial barriers that were in place during the 1950s.
"The Moondog"
While working as a disc jockey at radio station WJW in Cleveland, Ohio, he
organized the first rock and roll concert at Cleveland Arena called "The Moondog
Coronation Ball" on March 21, 1952. The event, attended mainly by African
Americans, proved a huge drawing card — the first event had to be ended early due to
overcrowding. The Cleveland Cavaliers' mascot Moondog (mascot) is named in honor
of Freed.
1010 WINS New York
Following his success on the air in Cleveland, Alan Freed moved to New York City
where he turned WINS into a rock and roll radio station.
Radio Luxembourg
Building upon his successful introduction in Europe by film, Alan Freed was then
booked onto Radio Luxembourg where his prerecorded shows enhanced his
reputation as the "father of rock and roll" music. Due to the tremendous power that
the signal of Radio Luxembourg enjoyed throughout much of Western Europe, his
choice of music encouraged imitation by many domestic groups. The record
companies also bought time on Luxembourg to further promote the music of Little
Richard, Chuck Berry and other African American artists. These sounds were heard in
places such as Liverpool, England where the individuals who later became famous as
The Beatles were also listening and attempting to copy the music they heard.
Movies
Alan Freed also appeared in a number of major and historical rock and roll motion
pictures during this period. These films were often welcomed with tremendous
enthusiasm by teenagers because they brought visual depictions of their favorite
American acts to the big screen, years before music videos would present the same
sort of image on the small television screen. One side effect of these movies shown
before mass audiences was that they sometimes presented an excuse for thugs to turn
a fun event into a riot, in which cinemas in both West Germany and the United
Kingdom were trashed.
Alan Freed appeared in several motion pictures that presented many of the big
musical acts of his day:
1956 - Rock Around the Clock featuring Alan Freed, Bill Haley and His Comets, The
Platters, Freddie Bell and the Bell Boys.
Rock, Rock, Rock featuring Alan Freed, Chuck Berry, Frankie Lymon and the
Teenagers, Johnny Burnette, La Vern Baker, The Flamingos, The Moonglows.
1957 - Mr. Rock and Roll featuring Alan Freed, Lionel Hampton, Ferlin Husky,
Frankie Lymon, Little Richard, Brook Benton, Chuck Berry, Clyde McPhatter, La
Vern Baker, Screamin' Jay Hawkins.
Don't Knock the Rock featuring Alan Freed, Alan Dale, Little Richard and the
Upsetters, Bill Haley and His Comets, The Treniers, Dave Appell and His Applejacks.
1959 - Go, Johnny Go! featuring Alan Freed, Jimmy Clanton, Chuck Berry.
Television
It was at the height of Freed's career at the beginning of his new television series that
various individuals decided to use Alan Freed as a scapegoat for all that was wrong
with the recorded music industry and his show called The Big Beat (which predated
American Bandstand) on ABC was suddenly cancelled after an episode in which
Frankie Lymon of Frankie Lymon and The Teenagers was seen dancing with a white
girl offended the management of ABC's local affiliates in the Southern states. Into the
void that had been created by the absence of Freed on TV, the career of Dick Clark
began to take off. [citation needed]
Payola
In 1958, Freed faced controversy in Boston, when he told the audience, "The police
don't want you to have fun", as a result, Freed was arrested and charged for inciting to
riot. The career of Alan Freed ended when accusations were made that he had
accepted payola – that is, taken bribes to play specific records. He had also taken
songwriting co-credits (most notably on Chuck Berry's Maybellene). This entitled him
to receive part of a song's royalties, which he could help increase by heavily
promoting the record on his own popular radio show.
Although these practices were not unique to him, he was singled out for attention.
Freed lost his own show on radio station WINS, then he was fired from the station
altogether. In 1960 payola was made illegal, although this by no means stopped the
practice which continues in various forms to this day. In 1962 Alan Freed pled guilty
to two charges of commercial bribery for which he received a fine and a suspended
sentence.
Destruction and death
Although the punishment handed down to Alan Freed was not severe, the side effects
of negative publicity were such that no prestigious station would employ him, and he
moved to the West Coast in 1960, where he worked at KDAY-AM in Santa Monica,
California. In 1962, after KDAY refused to allow him to promote rock 'n roll stage
shows, Freed moved to WQAM in Miami, Florida, but that association lasted only
two months. He died in a Palm Springs, California hospital in 1965 at the age of 43
suffering from uraemia and liver cirrhosis, which was brought on by alcoholism.
Shortly before this he had begun working at a radio station in Palm Springs,
California. He was initially interred in the Ferncliff Cemetery in Hartsdale, New
York, and his ashes were later moved to their present location in the Rock and Roll
Hall of Fame on March 21, 2002.
Legacy
In 1978 a motion picture entitled American Hot Wax was released, inspired by Freed's
contribution to the rock and roll scene, leading up to a concert that was held in New
York City in 1959. Although director Floyd Mutrux created a fictionalised account of
Freed's last days in New York radio by utilising real-life elements outside of their
actual chronology, the film does accurately convey the fond relationship between
Freed, the musicians he played and the audiences who listened to them. Several
notable personalities starred in the movie, who would later become well-known
celebrities, including Jay Leno and Fran Drescher, and there were even cameo
appearances by Chuck Berry, Screamin' Jay Hawkins, Frankie Ford and Jerry Lee
Lewis, performing in the recording studio and concert sequences.
In 1986, he was part of the first group inducted into the Rock and Roll Hall of Fame,
which was built in Cleveland in recognition of Freed's involvement in the promotion
of the genre. In 1988, he was also posthumously inducted into the Radio Hall of Fame
and his pioneering contribution to the genre has been recognized by the Rockabilly
Hall of Fame.
Freed appeared in Stephen King's Nightmares and Dreamscapes as a nightmarish
version of himself, who enthusiastically announces the names of deceased rock n roll
legends in You Know They Got a Hell of a Band as part of an upcoming concert to
perform. He was portrayed by Mitchell Butel in the television adaptation on the
Nightmares & Dreamscapes mini-series.
